Now
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Meet issue #2
Launch at Biblioteka
11 Oct 2025, 6–9 pm
Launching issue # 2 with an evening of readings, music, drinks at Biblioteka’s beautiful garden space
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Meet Pina
Pina in Paris
23 Oct 2025, 4pm
In conversation with Line Ajan from Qalqalah, hosted by After 8 Books
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Book
Forensic Architecture
19 Nov, 6.30pm
Join us at FormaHQ for an artist talk by Forensic Architecture on their exhibition in Pina issue #2
Then
Past events
- Nieuwe Instituut, Rotterdam
“Possibilities of Exhibition Design”, a panel with Director Aric Chen, artist Asad Raza, and curator Yolande Zola Zoli van der Heide
- Delfina Foundation, London
“Conditions for recognising a living stone”, an artist talk by Gala Porras-Kim
- Kiosko La Mosca, Madrid
Conversation between Gabriel Alonso and Catalina Imizcoz, hosted by the editors of Buffalo Zine
- Storefront for Art and Architecture, New York City
Design and architecture curated fair, invited by José Esparza and Guillermo Ruiz de Teresa
- Sala at Salón Acme, CDMX
Art and culture curated fair, invited by Terremoto
- IASPIS, Stockholm
Presentation of issue #1 by Bitsy Knox and Adam Kleinman
- Azotea, Buenos Aires
Presentation of issue #1: Catalina Imizcoz in conversation with Valeria Pecoraro and Cecilia Szalkowicz
- CCA, Berlin
A conversation between Asad Raza, Bitsy Knox, and Fabian Schöneich, Director of CCA
- Center for Art, Research and Alliances, New York City
The NYC launch of Pina, with artist Asad Raza in conversation with physics professor Will Kinney and Pina’s founder and editor Catalina Imizcoz
Past issues
Pina issue #1 contains exhibitions by Gala Porras-Kim and Asad Raza.
The artistic practice of Gala Porras-Kim is dedicated to thinking about the relationship between objects and the institutions that house them. For Pina, Porras-Kim has conceived ‘Conditions for recognising a living stone’, a legally accurate case defending the rights of a spirit, who lives in a statue that is part of the British Museum.
In his work, Asad Raza conducts encounters within and beyond the exhibition, conceiving of art as a metabolic, active experience. For Pina, Raza has conceived ‘Array’, tracing the journey of radiation from sources across the universe to the trees used to produce the paper of the magazine, and then, reflected by that paper into the reader’s eye.
