Now
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Meet Pina
Pina at CARA NYC
2 May 2025, 6.30pm
New York City launch of Pina issue #1. Founder Catalina Imizcoz, artist Asad Raza and cosmologist Will Kinney in conversation
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Meet Pina
Pina at CCA Berlin
9 April 2025, 7pm
A lecture-performance by Asad Raza, followed by Q&A with Raza, Deputy Editor Bitsy Knox and Fabian Schöneich, Director of CCA
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Meet Pina
Upcoming: Pina in London
Stay tuned for our upcoming presentation in the summer, scheduled to coincide with Gala Porras-Kim’s upcoming solo exhibition at Sprueth Magers
Then
Past events
- Nieuwe Instituut, Rotterdam
“Possibilities of Exhibition Design”, a panel with Director Aric Chen, artist Asad Raza, and curator Yolande Zola Zoli van der Heide
- Delfina Foundation, London
“Conditions for recognising a living stone”, an artist talk by Gala Porras-Kim
- Kiosko La Mosca, Madrid
Conversation between Gabriel Alonso and Catalina Imizcoz, hosted by the editors of Buffalo Zine
- Storefront for Art and Architecture, New York City
Design and architecture curated fair, invited by José Esparza and Guillermo Ruiz de Teresa
- Sala at Salón ACME, Mexico City
Art and culture curated fair, invited by Terremoto
- IASPIS, Stockholm
Presentation of issue #1 by Bitsy Knox and Adam Kleinman
- Azotea, Buenos Aires
Presenation of issue #1: Catalina Imizcoz in conversation with Valeria Pecoraro and Cecilia Szalkowicz
- ARCOmadrid 2025, Madrid
Magazines section
Past issues
Pina issue #1 contains exhibitions by Gala Porras-Kim and Asad Raza.
The artistic practice of Gala Porras-Kim is dedicated to thinking about the relationship between objects and the institutions that house them. For Pina, Porras-Kim has conceived ‘Conditions for recognising a living stone’, a legally accurate case defending the rights of a spirit, who lives in a statue that is part of the British Museum.
In his work, Asad Raza conducts encounters within and beyond the exhibition, conceiving of art as a metabolic, active experience. For Pina, Raza has conceived ‘Array’, tracing the journey of radiation from sources across the universe to the trees used to produce the paper of the magazine, and then, reflected by that paper into the reader’s eye.
